Talking Heads history
Talking Heads, the main subject of this website, is an American new wave band formed in 1975. This article goes into depth about their history through different eras, from the early music experiences of the members all the way through to upcoming activity in 2024.
Pre-formation (1974 and earlier)
Byrne, Frantz, and Weymouth met as freshmen at the Rhode Island School of Design, where Byrne and Frantz were part of a band called The Artistics. Meanwhile, Harrison attended Harvard college and played in The Modern Lovers in Massachusetts.
The Artistics dissolved the following year, and after graduation the three moved to New York City, eventually sharing a communal loft.
Weymouth began dating Frantz and served as the band's driver. Since Byrne and Frantz were unable to find a suitable bass guitar player she joined them at the latter's request and began learning and playing the instrument.
Formation and early years (1975-1977)
The band played their first gig as Talking Heads, opening for the Ramones at CBGB on June 5, 1975.
From the group's earliest days as a trio in 1975, Talking Heads were approached by several record labels for a potential album deal. The first person to approach the band was Mark Spector for Columbia Records, who saw Talking Heads perform at CBGB and invited them to record a demo album.
Next would come Mathew Kaufman for Beserkley Records. Kaufman brought the trio to K&K Studios in Great Neck, Long Island, to record a three-song, 16-track demo tape containing "Artists Only", "Psycho Killer" and "First Week, Last Week". Kaufman was pleased with the results, but the band felt that they would need to improve drastically before re-entering a recording studio.
In November 1975, Seymour Stein, cofounder of Sire Records, had heard Talking Heads open for the Ramones. He liked the song "Love → Building on Fire", and the next day, offered a record deal, but the group was still unsure about their studio abilities, and wanted a second guitarist as well as a keyboard player to help improve their sound.
Around August 1976, Chris Frantz was given the number of Jerry Harrison by former Modern Lovers bass player Ernie Brooks. Brooks assured Frantz that Harrison was not only a great keyboard player, but was a great guitarist too, two things the band were seeking out. When Frantz called Harrison, he was still feeling burnt out from the demise of the original Modern Lovers and had just enrolled at a Harvard Graduate School, and was unsure about joining a new band. But after discovering that several labels were interested in signing the group, he agreed to hear them play live. Frantz booked a concert local to Harrison in Cambridge, Massachusetts. When the group began to perform, they found Harrison nowhere in sight, but eventually saw him mid-set, seriously observing the band, and appearing displeased. After the show, Frantz asked Harrison what he had thought. Harrison did not answer until the next day, saying he was not impressed by the show, but was intrigued. He said he would like to jam in New York but stipulated that he would not officially join until they had secured a recording deal.
He was offered a spot in the band in 1976, while he was still studying at Harvard. Tina Weymouth phoned Harrison to ask him to come and see Talking Heads play in Boston, not knowing he had already seen them and had been impressed by their material. After the performance, Harrison did not give a precise answer about whether he would join the group.
Talking Heads: 77 (1977)
In March 1977, they added Jerry Harrison, after the release of their debut single, "Love → Building on Fire", formerly of Jonathan Richman's band the Modern Lovers, on keyboards, guitar, and backing vocals.
Talking Heads: 77 is the debut studio album by American rock band Talking Heads. It was recorded in April 1977 at New York's Sundragon Studios and released on September 16 of that year by Sire Records.
Sessions started at Sundragon Recording Studios in late 1976, where the group recorded the track "New Feeling" and the single, "Love → Building on Fire". Jerry Harrison was not present at these sessions, as he had not yet been informed that the group had received a record deal. These sessions were produced by Tony Bongiovi and Tom Erdelyi. After hearing of the recording session, Harrison was eager to join, and in January 1977, the trio went to his apartment in Ipswich to teach him their songs and play a few shows in the area.
The first song to have vocals recorded was "Psycho Killer". Allegedly, during recording of this track, Bongiovi went into the studio kitchen and gave Byrne a knife, telling him to get into character when singing. Byrne simply responded with "No, that's not going to work" and the band took a break. During the break Byrne confessed that he felt uncomfortable singing with Bongiovi watching, and asked Stasium to remove him. Stasium suggested evasion, recording when Bongiovi was not around, before he arrived, or after he left. Bongiovi allegedly never noticed they were doing this, being more concerned with the building of Power Station Studios.
After the meeting they all went to The Speak Club to drink and discuss. Thomas declined the opportunity to replace Bongiovi as producer for the remaining album sessions. When the group returned to the US on June 7, they booked a four-day recording session at ODO Studios in New York to record vocals and overdubs, as well as to mix the album. The album was finished.
While on tour the group continued to develop their sound, and on May 14, performed at The Rock Garden in Covent Garden, London, where John Cale, Brian Eno and Chris Thomas saw them. Linda Stein, the Ramones' co-manager, brought Cale, Eno and Thomas backstage after the concert where they all shook hands. Thomas allegedly heard Cale say to Eno "They're mine, you bugger!"
More Songs About Buildings And Food (1978)
# Write stuff here about working with Brian Eno, recording More Songs, release of singles, touring, American Bandstand, Saturday Night Live, etc.
More Songs About Buildings and Food (1978) was Talking Heads' first collaboration with the producer Brian Eno. Released on July 14, 1978, by Sire Records.
It saw the band move toward an increasingly danceable style, crossing singer David Byrne's unusual delivery with a new emphasis on the rhythm section composed of bassist Tina Weymouth and drummer Chris Frantz.
Eno's unusual style meshed with the group's artistic sensibilities, and they began to explore an increasingly diverse range of musical directions, from psychedelic funk to African music, influenced prominently by Fela Kuti and Parliament-Funkadelic.
Fear of Music (1979)
# Write stuff here about the Fear of Music sessions, release, touring, more exposure
Remain in Light (1980)
# Same thing here