Remain in Light
| Remain in Light | ||||
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| Studio album by | ||||
| Released | October 8, 1980 | |||
| Recorded | July–August 1980 | |||
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| Length | 40:10 | |||
| Label | Sire | |||
| Producer | Brian Eno | |||
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| Singles from Remain in Light | ||||
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| Back cover | ||||
| Album cover containing a drawing of a mountain range and four mostly red warplanes flying in formation. There is green text on the left hand side and a barcode in the top right corner. Artwork originally created as front cover | ||||
Remain in Light is the fourth studio album by Talking Heads, released on October 8, 1980, by Sire Records. Produced by Brian Eno, his third album with the band, the audio was recorded at Compass Point Studios in the Bahamas and Sigma Sound Studios in Philadelphia during July and August 1980.
After the release of Fear of Music in 1979, Talking Heads and Eno sought to dispel notions of the band as a mere vehicle for frontman and songwriter David Byrne. Drawing influence from Nigerian musician Fela Kuti, they blended African polyrhythms and funk with electronics, recording instrumental tracks as a series of loopin grooves. The sessions incorporated a variety of side musicians, including guitarist Adrian Belew, singer Nona Hendryx, and trumpet player Jon Hassell.
Byrne struggled with writer's block, but adopted a scattered, stream-of-consciousness lyrical style inspired by early rap and academic literature on Africa. The artwork was conceived by bassist Tina Weymouth and drummer Chris Frantz, and crafted with the help of the Massachusetts Institute of Technology's computers and design company M&Co. The band hired additional members for a promotional tour, and following its completion, they went on a year-long hiatus to pursue side projects.
Remain in Light was acclaimed by critics, who praised its sonic experimentation, rhythmic innovations, and cohesive merging of disparate genres. The album peaked at number 19 on the US Billboard 200 and number 21 on the UK Albums Chart, and spawned the single Once in a Lifetime and Houses in Motion. It has been featured in several publications' lists of the best albums of the 1980s and of all time, and is often considered Talking Heads' magnum opus. In 2017, the Library of Congress deemed the album "culturally, historically, or artistically significant", and selected it for preservation in the National Recording Registry.
Background
African Influence
Remain in Light was heavily influenced by African dance music, most notably the High Life and Afrobeat music of Fela Kuti. Some articles following the release of the album, and continuing to today, often credit Brian Eno with alerting the group of this genre of music. In multiple interviews since then, all four core band members have discussed being interested in African music long before the recording of the album. In a 2024 interview, Harrison stated "We were all in love with Fela Kuti. But I don’t know if Brian is the one who introduced us to it. Everyone in the band loved African music, like Manu Dibango and King Sunny Adé. I’d say if there was one single African artist I fell in love with it would be Fela."[1]
This African influence had begun on the band's previous album Fear of Music, most notably on the track "I Zimbra." Harrison has stated that "we all realized we were really excited about that track and that we wanted to do more of that."[1]
Recording
Release
Remain in Light released on October 8, 1980.
Track listing
All lyrics are written by David Byrne, except Born Under Punches (The Heat Goes On) and Crosseyed and Painless, written by David Byrne and Brian Eno; all music is composed by Byrne, Eno, Chris Frantz, Jerry Harrison and Tina Weymouth
| No. | Title | Length |
|---|---|---|
| 1. | "Born Under Punches (The Heat Goes On)" | 5:49 |
| 2. | "Crosseyed and Painless" | 4:48 |
| 3. | "The Great Curve" | 6:28 |
| No. | Title | Length |
|---|---|---|
| 1. | "Once in a Lifetime" | 4:19 |
| 2. | "Houses in Motion" | 4:33 |
| 3. | "Seen and Not Seen" | 3:25 |
| 4. | "Listening Wind" | 4:43 |
| 5. | "The Overload" | 6:25 |
Personnel
Those involved in the making of Remain in Light were:Template:Sfn
Talking Heads
- David Byrne – lead vocals, keyboards, guitars, bass, percussion, vocal arrangements
- Jerry Harrison – keyboards, guitars, percussion, backing vocals
- Tina Weymouth – keyboards, bass, percussion, backing vocals
- Chris Frantz – keyboards, drums, percussion, backing vocals
Additional musicians
- Brian Eno – keyboards, guitars, bass, percussion, backing vocals, vocal arrangements
- Adrian Belew – guitars, Roland guitar synthesizer
- Robert Palmer – percussion
- José Rossy – percussion
- Jon Hassell – trumpets, horns
- Nona Hendryx – backing vocals
Production
- Brian Eno – producer, mixing
- Dave Jerden – engineer, mixing
- David Byrne – mixing
- John Potoker – additional engineer, mixing
- Rhett Davies – additional engineer
- Jack Nuber – additional engineer
- Steven Stanley – additional engineer
- Kendall Stubbs – additional engineer
- Greg Calbi – mastering at Sterling Sound (New York City, New York)
- Tina Weymouth – cover art
- Chris Frantz – cover art
- Walter Bender – cover art assistant
- Scott Fisher – cover art assistant
- Tibor Kalman – artwork
- Carol Bokuniewics – artwork
- MIT Architecture Machine Group – computer rendering