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	<updated>2026-04-06T23:13:30Z</updated>
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	<entry>
		<id>https://talkingheadswiki.com/mediawiki/index.php?title=Born_Under_Punches_(The_Heat_Goes_On)&amp;diff=2337</id>
		<title>Born Under Punches (The Heat Goes On)</title>
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		<updated>2024-05-15T02:50:48Z</updated>

		<summary type="html">&lt;p&gt;PosmodernaDb: Created page, brief(very brief) summary at the beginning and description of the song, cite added for the bit about the solo, cites for the rest being recompiled&lt;/p&gt;
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&lt;div&gt;{{Infobox song|name=Born Under Punches|cover=Bornunderpunchessingle.jpg|alt=|caption=Cover art of UK 7-inch and 12-inch vinyl singles|type=single|artist=[[Talking Heads]]|album=[[Remain in Light]]|B-side=* &#039;&#039;[[Cities (live version)]]&#039;&#039;|released=* October 1980 (&#039;&#039;[[Remain in Light]]&#039;&#039; version)&lt;br /&gt;
* Late 1980 (Japanese single)|recorded=July–August 1980|studio=* [[Compass Point Studios|Compass Point]], [[Nassau, Bahamas|Nassau]]&lt;br /&gt;
* [[Sigma Sound Studios|Sigma Sound]], [[Philadelphia, Pennsylvania|Philadelphia]]|genre=New wave, funk, rock, art pop|length=5:46|label=[[Sire Records|Sire]]|writer=* [[David Byrne]]&lt;br /&gt;
* [[Brian Eno]]&lt;br /&gt;
* [[Chris Frantz]]&lt;br /&gt;
* [[Jerry Harrison]]&lt;br /&gt;
* [[Tina Weymouth]]|producer=[[Brian Eno]]}}&#039;&#039;&#039;&#039;&#039;Born Under Punches (The Heat Goes On)&#039;&#039;&#039;&#039;&#039; is a song by [[Talking Heads]], produced and cowritten by [[Brian Eno]]. First released on October 1980 as the first track on their fourth album [[Remain in Light]], and later on as a single in Japan sometime in 1980 following the release of the album.&lt;br /&gt;
&lt;br /&gt;
The song was developed through a series of jams and put together ideas, like much of the Remain in Light album.&lt;br /&gt;
&lt;br /&gt;
== Music and Lyrics ==&lt;br /&gt;
The song features much of what would define the rest of the album, at the forefront is a prominent Funk bassline backed by digital sound effects and a notable rhtythm guitar line. The presence of multiple rhythmic elements was inspired by the work of [[Fela Kuti]] and [[Afrobeat]], which was an approach first used by the band on the song &amp;quot;[[I Zimbra]]&amp;quot; from their previous album [[Fear of Music]].&lt;br /&gt;
&lt;br /&gt;
The song features a guitar solo performed by [[David Byrne]]&amp;lt;ref&amp;gt;https://www.guitarplayer.com/players/its-still-a-record-that-stands-up-today-very-very-well-adrian-belew-and-jerry-harrison-talk-remain-in-light&amp;lt;/ref&amp;gt; (frequently cited as being performed by [[Adrian Belew]], who worked on the album) recorded with a Lexicon Prime Time Delay and recording it in pieces, adding to the digital undertones of the song.&lt;br /&gt;
&lt;br /&gt;
The lyrics predominantly follow the stage set by the Watergate Scandal, creating a pseudo-conversation between a screaming, ranting &amp;quot;Government Man&amp;quot; and civilians supplicating to be able to exist and coexist with each other and the &amp;quot;Government Man&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Similar to the song Once in a Lifetime, Byrne utilized a ranting and frantic delivery for the part of the &amp;quot;Government Man&amp;quot; based on the speeches of Watergate related politician John Dean, and employing a softer and more consistent tone for the civilians&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>PosmodernaDb</name></author>
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